The Love Song of J. Alfred Prufrock

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;

I watched a TV documentary on T.S. Eliot last night. I had quite forgotten the impact this poem had on me when I first read it. I was seventeen; it was a few months after my father's death.

According to the documentary, the third line of 'Prufrock' marked the beginning of modern poetry. Funny that, because to me, the word "etherised" sound hugely old fashioned. I guess that's the problem of trying to be modern: the word that signals that a work of art belongs to today's world is the one that gets out of date very quickly.


Prufrock is a monologue, of two men walking through town at night, one telling the other the tale of his life. It hardly seems to be a "Love Song" but I intuitively understood that was the whole point.

It tells the story of a young man who leaves a party, where the women are talking, and goes for a walk with his friend on a foggy night, and tries to talk about what the hell is going inside him.

Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question …
Oh, do not ask, “What is it?”
Let us go and make our visit.

As I said, I had completely forgotten how much this poem mattered to me when I found it. I was a man-child full of overwhelming questions.

Not that different from how I am today, really.

Auguries of Innocence

To see a world in a grain of sand,
And a heaven in a wild flower,
Hold infinity in the palm of your hand,
And eternity in an hour.

A robin redbreast in a cage
Puts all heaven in a rage.

A dove-house fill'd with doves and pigeons
Shudders hell thro' all its regions.
A dog starv'd at his master's gate
Predicts the ruin of the state.

A horse misused upon the road
Calls to heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.

A skylark wounded in the wing,
A cherubim does cease to sing.
The game-cock clipt and arm'd for fight
Does the rising sun affright.

Every wolf's and lion's howl
Raises from hell a human soul.

The wild deer, wand'ring here and there,
Keeps the human soul from care.
The lamb misus'd breeds public strife,
And yet forgives the butcher's knife.

The bat that flits at close of eve
Has left the brain that won't believe.
The owl that calls upon the night
Speaks the unbeliever's fright.

He who shall hurt the little wren
Shall never be belov'd by men.
He who the ox to wrath has mov'd
Shall never be by woman lov'd.

The wanton boy that kills the fly
Shall feel the spider's enmity.
He who torments the chafer's sprite
Weaves a bower in endless night.

The caterpillar on the leaf
Repeats to thee thy mother's grief.
Kill not the moth nor butterfly,
For the last judgement draweth nigh.

He who shall train the horse to war
Shall never pass the polar bar.
The beggar's dog and widow's cat,
Feed them and thou wilt grow fat.

The gnat that sings his summer's song
Poison gets from slander's tongue.
The poison of the snake and newt
Is the sweat of envy's foot.

The poison of the honey bee
Is the artist's jealousy.

The prince's robes and beggar's rags
Are toadstools on the miser's bags.
A truth that's told with bad intent
Beats all the lies you can invent.

It is right it should be so;
Man was made for joy and woe;
And when this we rightly know,
Thro' the world we safely go.

Joy and woe are woven fine,
A clothing for the soul divine.
Under every grief and pine
Runs a joy with silken twine.

The babe is more than swaddling bands;
Every farmer understands.
Every tear from every eye
Becomes a babe in eternity;

This is caught by females bright,
And return'd to its own delight.
The bleat, the bark, bellow, and roar,
Are waves that beat on heaven's shore.

The babe that weeps the rod beneath
Writes revenge in realms of death.
The beggar's rags, fluttering in air,
Does to rags the heavens tear.

The soldier, arm'd with sword and gun,
Palsied strikes the summer's sun.
The poor man's farthing is worth more
Than all the gold on Afric's shore.

One mite wrung from the lab'rer's hands
Shall buy and sell the miser's lands;
Or, if protected from on high,
Does that whole nation sell and buy.

He who mocks the infant's faith
Shall be mock'd in age and death.
He who shall teach the child to doubt
The rotting grave shall ne'er get out.

He who respects the infant's faith
Triumphs over hell and death.
The child's toys and the old man's reasons
Are the fruits of the two seasons.

The questioner, who sits so sly,
Shall never know how to reply.
He who replies to words of doubt
Doth put the light of knowledge out.

The strongest poison ever known
Came from Caesar's laurel crown.
Nought can deform the human race
Like to the armour's iron brace.

When gold and gems adorn the plow,
To peaceful arts shall envy bow.
A riddle, or the cricket's cry,
Is to doubt a fit reply.

The emmet's inch and eagle's mile
Make lame philosophy to smile.
He who doubts from what he sees
Will ne'er believe, do what you please.

If the sun and moon should doubt,
They'd immediately go out.
To be in a passion you good may do,
But no good if a passion is in you.

The whore and gambler, by the state
Licensed, build that nation's fate.
The harlot's cry from street to street
Shall weave old England's winding-sheet.

The winner's shout, the loser's curse,
Dance before dead England's hearse.

Every night and every morn
Some to misery are born,
Every morn and every night
Some are born to sweet delight.

Some are born to sweet delight,
Some are born to endless night.

We are led to believe a lie
When we see not thro' the eye,
Which was born in a night to perish in a night,
When the soul slept in beams of light.

God appears, and God is light,
To those poor souls who dwell in night;
But does a human form display
To those who dwell in realms of day.
WILLIAM BLAKE

Happy New Year

Our deepest fear
is not that we are inadequate.

Our deepest fear is that we are powerful beyond measure.

It is our light, not our darkness, that most frightens us.
We ask ourselves, who am I
to be brilliant, gorgeous, talented, fabulous?
Actually, who are you not to be?

You are a child of God.


Your playing small doesn't serve the world.
There's nothing enlightened about shrinking so that
other people won't feel insecure around you.

We are all meant to shine, as children do.
We were born to make manifest
the glory of God that is within us.
It's not just in some of us; it's in everyone.

And as we let our own light shine, we unconsciously
give other people permission to do the same.
As we're liberated from our own fear,
our presence automatically liberates others."

from 'A Return To Love' (1992)
by Marianne Williamson
(thanks to Euan Semple for this)

Adrian Mitchell 1932 - 2008

Adrian Mitchell died on Saturday. His poem, 'Human Beings' was voted the poem people would most like to see sent into space.

Look at your hands
your beautiful useful hands
you’re not an ape
you’re not a parrot
you’re not a slow loris
or a smart missile
you’re human

not british
not american
not israeli
not palestinian
you’re human

not catholic
not protestant
not muslim
not hindu
you’re human

we all start human
we end up human
human first
human last
we’re human
or we’re nothing
nothing but bombs
and poison gas
nothing but guns
and torturers
nothing but slaves
of Greed and War
if we’re not human

look at your body
with its amazing systems
of nerve-wires and blood canals
think about your mind
which can think about itself
and the whole universe
look at your face
which can freeze into horror
or melt into love
look at all that life
all that beauty
you’re human

they are human
we are human
let’s try to be human
dance!